Helene Aylon was an American, New York-based, multimedia visual artist who began by creating process art in the 1970s, focused on anti-nuclear and eco-activist art by the 1980s, and subsequently devoted more than 35 years to the multi-partite installation The G-d Project. This last body of work’s often direct or indirect textuality resonates from and responds to Judaism’s traditionally male-dominated textuality as part of a larger commentary on women in Judaism.

Sara Hurwitz was the first Orthodox woman to be publicly ordained and serve in an Orthodox synagogue, the Hebrew Institute of Riverdale. She went on to co-found, with Rabbi Avi Weiss, Yeshivat Maharat, the first institution to provide a credentialed pathway for Orthodox women to be ordained and serve as rabbis.

In the early twenty-first century, Haredi cinema began to flourish, first in Israel and then in the United States and elsewhere. Haredi women have made films that focus on relationships among women, that are often much more aesthetically elaborate than Haredi men’s films, and that address issues that until recently were considered taboo.

Rama Burshtein’s films are among the most important created by a Haredi woman. Her first commercial film was shown exclusively to Haredi women, but Burshtein found the conventions of Haredi cinema poorly suited to her artistic aspirations, and her later films were aimed at the nonreligious world.

Founded by Rabba Sara Hurwitz and Rabbi Avi Weiss, Yeshivat Maharat is the first Orthodox rabbinical school to ordain women. Building upon expanding education and ritual roles for Orthodox women in America that began in the late twentieth century, themselves outgrowths of American feminism, as of 2021 Yeshivat Maharat had graduated over forty women who powerfully impact Orthodox and wider Jewish communities all over the world.

Debra R. Kaufman has been a central voice in sociology, feminist studies, and Jewish Studies for over four decades. Her scholarship has spanned topics such as the role of women in Orthodox Judaism, post-Holocaust Jewish identity narratives, and contemporary American Jewish identity.

Adina Bar-Shalom defines herself as a Haredi woman, not a feminist but a go-getter. She is involved in and has initiated Israeli cultural, public and political activities in conjunction with secular organizations and activists and has participated in many social fora.

Sarah Rodrigues Brandon (1798-1828) was born poor, enslaved, and Christian on the island of Barbados. By the time of her death thirty years later she was one of the wealthiest Jews in New York and her family were leaders in Congregation Shearith Israel. This entry explains Sarah’s life journey and highlights how her story relates to that of other women of mixed African and Jewish ancestry in early America.