Despite my love for the Susan Alexandra Judaica collection, I can’t recommend it in good faith for one reason: it’s too expensive. 

JWA talks to Israeli artist Andi Arnovitz about her new (JWA-inspired!) piece, What We Bring, currently on display at the Jerusalem Biennale. 

Restoring my great aunt’s linen is a tribute to her for embracing my non-Jewish mother, in defiance of her family.

The objects Mae made and the books she wrote helped shape the field of Jewish Americana. Mae’s work, taken as a whole, reflects her view that “just as Jews have become an integral part of the American scene, so can a classical American symbol be used to express a Jewish theme.” A shining example is her hannukiah titled “Miss Liberty”, which is emblazoned with the last lines of Emma Lazurus’s poem “The New Colossus,” and is in the permanent collection of the Jewish Museum in NYC.

Last semester, I was one of four boys in a course at The Weber School dedicated to Jewish women in modern America—a group of people who have had great impact on our lives. However, this group has received little of the public recognition it deserves and is vastly underrepresented in traditional history classes. Like most other American high school students, I have spent the bulk of my academic career studying Christian men from Europe. No wonder that I knew little or nothing about these remarkable women. Yet learning about them is only one reason why this course was so enlightening.

I had never taken the time to learn much about my grandmother, Esther Rebeca Leibowich de Bortz’s past. While I knew that something in her history must have gone right—she became a renowned gynecologist in Argentina—large gaps existed between each of the detailed but disconnected anecdotes that she recounted to me over the years.

My grandmother—or Bobe as I call her—and I have never lived in the same country. She was born in Argentina and has lived there for her entire life, while I was born in Chile and have lived in Atlanta for most of mine. With each of her visits, I learn more about this woman I have always been taught to revere, but in truth never knew much about. Consequently, I welcomed the opportunity to take the course, “Jewish Women in Modern America,” at The Weber School in Atlanta, where I am a junior.

Miriam Karp is an artist who has been creating hundreds of one-of-a-kind ketubot since 1976.