Women have always been important as both Yiddish theater audiences and actors. For a decade and more, most American Yiddish actors were immigrants, as were their audiences. Often families played in the same company, such as the famous Adler family. Now, as Yiddish theater has become attenuated, the loyalties and memories of women are important for its survival.

For over a hundred years, Jewish women have been involved in the American theater as writers, actors, directors, designers and producers. The vitality of the Yiddish theater, the splendor of Broadway, the rich tapestry of the regional theater, and everything in between, all owe a debt to the Jewish women who have given of their talents, their energy, their drive, and their dreams.

Jewish women have had a long-standing, complex, often fraught relation to American television. They have had to battle a male-dominated production system and sexist stereotypes, but also have seen significant advances, in front of and behind the screen, resulting from the cable and streaming revolutions and third-wave feminist activism.  

Bella Spewack, in collaboration with her husband Sam, is known for writing some of the most memorable works of musical theater history, including Leave It to Me (1938) and Kiss Me Kate (1948). The Spewacks also wrote screenplays for several 1940s Hollywood hits, such as Weekend at the Waldorf. The couple contributed to many Jewish organizations and founded the Spewack Sports Club for the Handicapped in Ramat Gan, Israel.

Award-winning director and screenwriter Joan Micklin Silver, born in 1935 in Omaha, Nebraska, wrote and directed the 1975 barrier-breaking independent film Hester Street, which sparked an interest in the lives of immigrant Jews. She also directed Crossing Delancey (1988), five other feature films, and several films for television.

In revues, nightclub acts, concert halls, and on television, Joan Rivers popularized and perfected a genre of comedy that challenged reigning social conventions. After breaking into Chicago’s comedy scene in 1961 at Second City, Rivers became known for her comedic routines, books, and the talk show for which she won an Emmy for in 1990.

Cecilia Razovsky was a remarkably active woman who spent her life striving to assist immigrants in adapting to life in the United States and other countries. Razovsky found countless ways to help Jewish refugees in particular, from writing plays and pamphlets to running committees and organizations for immigrant aid.

Novelist and poet Marge Piercy's life and life’s work reflect her deep engagement with political activism, feminism, and Judaism. In genres including fiction, poetry, liturgy, memoir, and essays, Piercy’s work brings together spirituality, creativity, memory, sensuality, and political engagement.

Bertha Pappenheim was the founder of the Jewish feminist movement in Germany. In 1904, she founded the League of Jewish Women. Pappenheim believed that male-led Jewish social service societies underestimated the value of women’s work and insisted on a woman’s movement that was equal to and entirely independent of men’s organizations.

Cynthia Ozick is a Jewish-American writer, novelist, essayist, and playwright. Her creative, authentic, and intelligent stories, including “The Shawl” (1989) and “The Puttermesser Papers” (1997), have made her one of the greatest fiction writers and literary critics alive.

Annie Nathan Meyer promoted women’s higher education and founded Barnard College, New York’s first liberal arts college for women. She also chronicled women’s work, dramatized women’s status in plays, novels, and short stories, and raised funds for Jewish and black students to attend Barnard.

Controversial both during and after her life, Lillian Hellman was one of the leading women of letters of mid-century America and a pioneer woman playwright. Hellman displayed courage not only in writing powerful plays like The Children’s Hour but also in her public refusal to name colleagues to the House Un-American Activities Committee.

In 1989, Wendy Wasserstein won the Pulitzer Prize for The Heidi Chronicles and was the first woman playwright to win a Tony Award. After graduating from the MFA program at the Yale School of Drama, in which she was the only woman, Wasserstein wrote countless dramas, three musicals, various comedy skits for television, and a series of essays published in the New Yorker, Esquire, and Harper’s Bazaar.

Yiddish writer Esther Shumiatcher-Hirschbein was born in Belarus in 1899 and emigrated to Calgary, Canada, with her family in 1911. Her poetry devoted to her pregnancy and childbirth were considered groundbreaking, along with other themes in her work, including grief, marriage, sexuality, and widowhood.