Nursing was not recognized as a profession in Israel until 1918, when the American Zionist Medical Unit, which later became the Hadassah Medical Organization, opened a nursing school. The first graduates were the leaders and pioneers of the nursing profession in Israel.

Bracha Habas was an educator and one of the first professional women journalists in Erez Israel. She was a member of Davar’s editorial board and the co-founder of its children’s newspaper, Davar le-Yeladim. Enumerating on Habas’s 48 publications, Rahel Adir described her as “the recorder of Yishuv history.”

Through her work as a soldier, writer, teacher, and volunteer supporting immigrants, Rivka Guber exhibited selflessness for her neighbors and for the young State of Israel as a whole, earning her the title “Mother of the Sons” and the respect of the nation.

Blu Greenberg is known as the mother of Orthodox feminism and is author of On Women and Judaism: A view from Tradition. She coined the phrase “Where there’s a rabbinic will, there’s a halakhic way,” demanding that rabbis find systemic solutions to help women who feel trapped by aspects of halakhah. Greenberg is a fierce advocate for agunot, women trapped in unwanted marriages.

Politically active from a young age, Haika Grosman played a key role in the underground resistance to Nazi occupation and the Holocaust and put her safety on the line in the name of the movement.

Michal Govrin, born in 1950 is an Israeli poet, writer, and stage director. She takes a highly individualized perspective on Israeli-Jewish post-Holocaust reality by combining artistic experimentation with Biblical and Rabbinic sources and philosophical discourse. In her poetry, prose and essays she examines places and spaces within a polyphonic context of architecture, art and theater, the sanctity of land, and the national narrative.

Mary Fels used her wealth and her talents to further the Zionist cause, arguing passionately for a Jewish state and helping create both settlements and industry in Israel. Both Fels and her husband, a successful soap manufacturer, felt their wealth gave them a responsibility to reform capitalism and use their money for philanthropy.

Barbara Berman Dobkin is the pre-eminent Jewish feminist philanthropist of the end of the twentieth and beginning of the twenty-first century. Her vision, dedication, and philanthropic generosity have transformed the landscape of Jewish women’s organizations and funding in both North America and Israel.

Devorah Dayan was a symbol of the new Hebrew woman in pre-state Israel: she was maternal, rooted in the land, and fulfilled the values of a pioneer society. Her long writing career mostly comprised of autobiographical essays in publications for the women workers’ movement.

Artists began to try to create a new Hebrew dance in the 1920s. Israeli Expressionist Dance flourished first, followed by American modern dance. Israeli dance became professionalized and centralized, and over the past few decades, efforts to promote local creativity accelerated, ethnic dance companies have flourished, and choreographers have taken increasingly political stances.

For many centuries, Cochin Jewish women have sung Jewish songs, both in Hebrew and in the Malayalam language of Kerala, their ancient homeland on the tropical southwest coast of India. Kerala Jews are unusual among halakhically observant communities in the complex intertwining of female and male knowledge and performance throughout their musical repertoire.

Children’s literature in the United States would not be the same without Jewish women. From Sydney Taylor to Judy Blume to Lesléa Newman, Jewish women have written books read by millions of children and teenagers in the U.S. for more than a century.

Miriam Baratz was a founding member of Deganyah Aleph, the first socialist Zionist farming commune in pre-state Israel. She advocated for communal childcare and education, and for a cooperative and egalitarian economic structure. The gender paradigm she helped establish at Deganyah set a precedent of egalitarianism for the entire kibbutz movement.

 While women are often excluded from the historical narrative of Israeli art-making, women artists made significant contributions to the canon of Israeli art throughout the twentieth century. Depicting landscapes, creating ceramics, and painting beautiful portraits, many female artists made significant contributions to the development of the Bezalel Art school and Israeli modern art. In 1952, the artistic Group of Ten was founded, to use a modern language in order to express the Israeli experience and landscape. 

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.