Jane Yolen is a Jewish-American children’s author, poet, and young adult novelist. Yolen has written more than 400 books for children and adults, including the children’s book series How Do Dinosaurs Say Goodnight? and the young adult Holocaust novella The Devil’s Arithmetic.

Miriam Yalan-Stekelis revolutionized Israeli children’s literature with her classic poems and stories. She challenged the convention of the “happy ending” in children’s stories, portraying children playing yet also struggling and suffering from the judgment of adults. Yalan-Stekelis’s play-songs and poems have become an integral part of the cultural repertoire of kindergartens and schools in Israel.

Spurred to publish initially as a response to the concerted campaigning of Christian conversionists, women writers were the first Anglo-Jews to produce literature on Jewish themes in England. By the end of the nineteenth century, literature by Jewish women had expanded to encompass not only works defensive of the dignity and rights of Anglo-Jewry, but also satirical novels critical of the community’s materialism and marriage practices.

Regarded by many of her friends and colleagues as the most important among the young Israeli poets of the 1960s, Yona Wallach has had a profound effect on Israel’s cultural life ever since her works began to appear in periodicals in the early 1960s, despite her early death from cancer in 1985.

Miriam Dworkin Waddington was a distinguished and pioneering Canadian poet and literary critic. Her original poetry included many explicit references to her Jewish secular outlook, and other poems were infused with a commitment to social justice that drew on that same source. Impatient with the Canadian “canon” of her time, she introduced to wider audiences the works of A.M. Klein and poets writing in Yiddish with her literary criticism and her translations.

Malka Heifetz Tussman introduced into Yiddish poetry one of the most rigid verse forms, the triolet, and mastered another, the sonnet corona. A teacher of Yiddish language and literature in the Midwest and the West, Tussman was awarded the Itzik Manger Prize for Yiddish poetry in Tel Aviv in 1981.

Marie Trommer was an early twentieth-century writer, poet, artist, art critic, and contributor to American Jewish newspapers. After attending the Cooper Union Art School, Trommer became known for her contributions to Jewish newspapers, her poetry, and her oil and watercolor paintings. She was a member of the Creative Writers Group, Society of Independent Artists, and Art Alliance of America. 

Hannah Szenes has attained legendary status in the pantheon of Zionist history. After immigrating to Israel, Szenes agreed to participate in a military operation as a paratrooper. Hungarian authorities captured her and tortured her, but Szenes refused to talk. She was killed by a firing squad in 1944. Szenes mother published her daughter’s diary, poetry, and plays posthumously.

Margarete Susman published her first writings, a book of poetry, in 1901 and went on to have a prolific writing career that included plays, books, and journal articles. Susman combined literature and theory, often reflecting seminal texts of modern theory and addressing political issues and women’s rights. Her writings concentrate on the most problematic issues of the modern world: God and human beings, man and woman, Jew and Christian.

The best-known and least typical Jewish woman of early-modern Italy, Sarra Copia Sullam engaged publicly with leading intellectuals and produced poetry, letters, and polemics, particularly about the belief in immortality of the soul. The context of her literary activity was the academies (accademia) of Venice, including one that she held in her own house, which attracted a stream of distinguished visitors from the city states of northern Italy who discussed philosophy, theology, art, and literature and who engaged in domestic intrigue.

Florine Stettheimer's paintings are lively, diarylike accounts of her life and acute examinations of upper-class ways in New York between the wars. Her decorative style offered an alternative to prevailing modes of contemporary modernist painting. Through her work, she criticized the high-mindedness of modern art and the course of modern life. 

Virginia Levitt Snitow was a multifaceted woman who was a teacher, political activist, pre-Second Wave feminist, poet, writer and founder of US/Israel Women to Women. Ahead of her time in the fight for both civil and women’s rights, Snitow was unafraid to take unpopular stances when fighting for others.

Yiddish writer Esther Shumiatcher-Hirschbein was born in Belarus in 1899 and emigrated to Calgary, Canada, with her family in 1911. Her poetry devoted to her pregnancy and childbirth were considered groundbreaking, along with other themes in her work, including grief, marriage, sexuality, and widowhood.

Fradel Shtok’s Yiddish poetry and prose is distinctive for its treatment of the inner sensual lives of Jewish women. Although she showed great promise as writer, she was discouraged by the unenthusiastic reception of her work by leading critics and withdrew from the literary scene after publishing only one collection of short fiction in 1919. A number of Shtok’s poems appeared in American Yiddish literary journals and anthologies, but no collection of her poetry ever appeared.

During her decades-long career as both poet and professor, Dr. Grace Schulman has received numerous awards, including the Frost Medal for Distinguished Lifetime Achievement in American Poetry. Her work has been included in numerous anthologies, and she has written extensively on her friend and mentor poet, Marianne Moore.

Nina Salaman was a well-regarded Hebraist, known especially for her translations of medieval Hebrew poetry, at a time when Jewish scholarship in Europe was a male preserve. In addition to her translations, she published historical and critical essays, book reviews, and an anthology of Jewish readings for children, as well as poetry of her own.