Helen Frankenthaler pioneered a new style of abstract expressionist painting that earned her the respect of the art world and inspired other artists. Her constant high achievement ranks her as one of the most important contributors to the history of postwar American painting.  Frankenthaler’s work has been exhibited in galleries and museums around the world.

Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Celia Dropkin’s sexually explicit poetry expanded possibilities for the depiction of relationships between men and women in modern Yiddish poetry. Throughout the 1920s and 1930s, her poems appeared in avant-garde Yiddish literary publications. Infused with erotic energy, the themes of Dropkin’s poetry – sex, love, and death – shocked her contemporaries.

Stella Drabkin was a talented painter and mosaicist who innovated new methods of printmaking. She is known for her experiments with multitype, a variation on monotype printing with layers of texture and color, creating mosaic panels on biblical themes, and creating prints with poems. Following her death, in 1972 the Art Alliance established the Stella Drabkin Memorial Award Fund in her honor. 

Friedl Dicker was an artist and educator who studied at the Bauhaus school then led art classes at Terezin.  In the ghetto, Dicker taught drawing to hundreds of children, designed sets and costumes for children’s performances, and made an exhibition of children’s drawings in a basement. She also created her own sketches, many of which were discovered in the 1980s.

Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer, and printmaker. She designed costumes for operas and ballets around Europe and created her own fashion design company. Deluanay was the first female artist to have a retrospective show of her work at the Louvre in 1964.

Lucille Corcos was celebrated as one of the foremost “modern primitivist” painters in America, creating revealing composite urban scenes. Corcos was widely praised for her lack of self-consciousness and complete freedom of expression, and she exhibited works throughout the United States and Europe.

Katherine M. Cohen was a sculptor and artist dedicated to advocating for equality for women in the arts. Comfortably situated in the community of Philadelphia’s Jewish elite, Cohen created many commissions for the community reflecting Jewish themes and illustrated a Jewish children’s book. Cohen made a speech at the Chicago World’s Fair advocating for the support of artists, and specifically female artists.

Best remembered for her contribution to Jewish cultural life and for her unique ability to inspire those around her, Corinne Chochem had a distinct impact on Hebrew folk dance, both in her teaching and her two books, Palestine Dances (1941) and Jewish Holiday Dances (1948).

Brazil is home to the second largest Jewish community in South America. Jewish women played important roles in the absorption of Jewish immigrants from Europe, the Middle East, and North Africa, and also made important contributions to Brazilian intellectual and artistic life.

Tina Blau was the only Jewish woman artist of her generation to be recognized by her peers. Blau made her artistic debut in 1867 and her paintings were included in the 1873 Viennese World Exhibition. In 1897 she co-founded the Wiener Frauenakademie, an art school for women, and taught there until 1915.

Painter, printmaker, teacher, poet, celebrated raconteur, and art activist, Theresa Bernstein was an enduring fixture in the art worlds of New York and the summer colony at Gloucester, Massachusetts, for ninety years. Her paintings and prints are now in museums across the country, including the Metropolitan Museum of Art and the Smithsonian Institution.

Felicie Bernstein was one of the last Berlin salonnières, a patron of modern art and artists, and a philanthropist who supported early feminism.

The Berlin salons that developed in the late eighteenth century owed both their existence and the form of their development to Jewish women. These salons have variously been criticized as a symptom of failing Jewish tradition or welcomed as a phenomenon of emancipation and acculturation. Regardless, their importance as highlights of the salon culture and for the process of women’s emancipation in Germany cannot be denied.

Writer and artist Berthe Bénichou-Aboulker was born in Oran, French Algeria, in 1886. She published a number of collections of poems and plays. After publishing her first play in 1933, she became the first woman writer to be published in Algeria.