Janette Fishenfeld was a Brazilian author, columnist, and Zionist. In her works, she portrayed a nuanced, complex view of the Brazilian Jewish community and advocated for the Zionist cause.

Doris Fleischman made history as the first American married woman issued a passport under her own name. Her prolific writing career and public feminism brought her national recognition.

Prolific writer Edna Ferber celebrated America in her many works, even as she exposed its shortcomings. Her novel So Big won a Pulitzer Prize in 1925, and the film Giant and the musical Show Boat were both based on her novels. Ferber’s work was shaped by her childhood experiences of antisemitism and frequently featured strong and talented women.

Mary Fels used her wealth and her talents to further the Zionist cause, arguing passionately for a Jewish state and helping create both settlements and industry in Israel. Both Fels and her husband, a successful soap manufacturer, felt their wealth gave them a responsibility to reform capitalism and use their money for philanthropy.

Rose Dunkelman was an innovative, industrious Canadian Zionist leader who worked tirelessly for the Jewish national cause. Dunkelman was the founder and long-time vice-president of Canadian Hadassah-WIZO. In 1925 she founded the Toronto Hadassah Bazaar, and that same year she was named to the National Executive of the Zionist Organization of Canada.

Gusta Dawidson Draenger was active in resistance movements during World War II, enduring imprisonment and torture. Her famous work, Justina’s Diary, recalls her experiences within the resistance and while incarcerated.

Devar ha’Po’elet, the magazine of the women worker’s movement, was founded in 1934 by Rahel Katznelson-Shazar, a prominent activist of the Council of Women Workers. The magazine was intended as an educational tool, through which the movement aimed to communicate the essential characteristics of the new Hebrew woman.

Die Deborah was an influential American Jewish newspaper published in German from 1855 until 1902 specifically aimed at German-Jewish middle-class women. The paper’s writers and editors viewed women in high esteem as keepers of moral and spiritual values, and toward the turn of the century they came to support the values of the American feminist movement.

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Maya Deren pursued an ambitious career as a writer, publishing poetry, essays, and newspaper articles. She was also one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. In 1946 she used a Guggenheim Fellowship to photograph Haitian dance.

Carrie Dreyfuss Davidson became an important voice for women in the Conservative Movement as a founder of United Synagogue’s Women’s League and founding editor of its journal Outlook. Davidson exemplified the often-competing paradigms of Jewish homemaker and accomplished writer and community leader.

Jewish immigrants to the New World brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States. Working-class and poor Jewish immigrants parents sought out culture and education in the arts for their children, often as a vehicle for assimilation. Jewish women were particularly attracted to the field of modern dance.

Lucille Corcos was celebrated as one of the foremost “modern primitivist” painters in America, creating revealing composite urban scenes. Corcos was widely praised for her lack of self-consciousness and complete freedom of expression, and she exhibited works throughout the United States and Europe.

Molly Cone wrote for over four decades, producing more than 40 books. They include young adult novels, short story collections, middle-grade fiction, Judaica for young readers, and non-fiction on ecological and educational topics. Her work frequently incorporates bits and pieces of her family life, as well as the love of Jewish culture which so enriched her childhood.

It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.

When Barbara Cohen died, she left behind an exceptional body of children’s literature. Cohen was adventurous, seldom repeating herself, always trying new ideas, settings and themes. In her books, she confronted taboo subjects of assimilation, racism, and cancer with both sensitivity and remarkable honesty.

Journalist and lecturer Aviva Cantor is the author of the theoretical work Jewish Women, Jewish Men: The Legacy of Patriarchy in Jewish Life, a passionately analytical synthesis of feminism, Judaism, Zionism, Socialism, animal rights and environmentalism, as well as of the landmark The Egalitarian Hagada. Cantor was founding editor of the Jewish Liberation Journal. She also originated the idea and was a founder and editor of Lilith, the independent Jewish feminist magazine.