Having escaped the Holocaust on the strength of her musical talents, Tziporah H. Jochsberger went on to use music to instill Jewish pride in her students. In the 1950s, she began teaching and studying music in New York. In addition to her teaching and administrative roles, Jochsberger found time for an active career as a composer.

Dance has been an integral element of the Jewish community since biblical times. An intense desire to share the joy of dance, coupled with a strong identification with both Israel and their Jewish roots, spurred a group of influential women to create a flourishing movement of Israeli folk dance in North America. Today, Israeli folk dance enjoys a wider popularity than ever.

Nurit Hirsch is one of the most prolific and varied writers of contemporary Israeli songs. Hirsch was the first Israeli composer to participate in the Eurovision Song Contest, winning fourth place in 1973. She composed the music for fourteen films, wrote numerous children’s songs, and won third place at the first festival of Hassidic music. Today Hirsch's repertoire contains around 1,600 songs.

Judith Herzberg is a Dutch Jewish poet, essayist, screenwriter, and professor who has been hailed as one of the greatest living Dutch poets for her ability to imbue everyday objects with unexpected meaning. Making her debut as a poet in the early sixties, Herzberg has written poems, essays, plays, film scripts, and television dramas, with many translations and adaptations to her name.

Nechama Hendel is considered one of the foremost singers Israel has ever produced, known for her performances of Jewish folk music, her adaptations of well-known Israeli songs, and her album dedicated entirely to lyrics by the national poet Hayyim Nahman Bialik set to folk tunes and composed melodies. Hendel had an international following and toured the world performing, but she consistently returned to live in Israel and was devoted to Jewish music. 

Anna Held was a performer with a flamboyant reputation for bathing in milk and champagne. As an actor in numerous farces, comedies, and musical comedies, she led a life of showmanship that prevents bibliographical certainty. Held was best known for her relationship with Florenz Ziegfeld, and some credit her with helping him create his famous Follies.

Born in Tel Aviv, Ofra Haza was an international singing sensation who performed across Europe, America, and Israel. Known for combining traditional Yemenite music with electronic pop sounds, Haza performed in the film Shlagger and in 1983 she placed second in the Eurovision competition. In 1998 Haza collaborated with many world-renowned artists and performed Naomi Shemer’s “Jerusalem of Gold” at the official ceremony marking Israel’s fiftieth anniversary.

Jennie Goldstein was one of the foremost Yiddish theater tragediennes, beloved by the public and acclaimed by critics for her acting skills and outstanding voice. During the 1940s, as opportunities in the Yiddish theater waned, Goldstein transformed herself into a comedian.

Focusing on difficult roles written for older women, Therese Giehse earned a reputation as a talented actress who brought Bertolt Brecht’s works to life. She co-founded an anti-Nazi literary cabaret called The Peppermill in 1933 and was known for touring successful anti-fascist theaterical works. She had a long collaboration with Brecht and developed a reputation as an “intellectual popular actress.”

Humorous composer Sylvia Fine created unique and influential music in her partnership with Danny Kaye. Fine wrote over 100 songs for Kaye to perform, including the music for The Secret Life of Walter Mitty, The Inspector General, and On the Riviera. She taught musical comedy at the University of Southern California and Yale and made philanthropic contributions to universities and Jewish organizations.

The substantial success of many European Jewish women filmmakers attests to their abilities to preserve or imagine what was lost as a community. The films of those born in Central Europe are reflective of the Jewish experience of loss, outsider-ness, and memory; others explore courage and individual acts of resistance during World War II. Western European directors re-tell personal stories of friendship and betrayal in a historical context of Europe without its Jews. A strong body of work from North African-born filmmakers reflects the relationship between Arabs and Jews.

Louise Dresser was a celebrated singer in vaudeville and musical comedy, as well as a star in early motion pictures. Known largely for her rendition of Paul Dresser’s song “My Gal Sal,” she also sang his “On the Banks of the Wabash.” After vaudeville, Louise Dresser found success on Broadway, before moving to Hollywood to star in films opposite Will Rogers. 

Maya Deren pursued an ambitious career as a writer, publishing poetry, essays, and newspaper articles. She was also one of the most important avant-garde filmmakers of her time for her use of experimental editing techniques and her fascination with ecstatic religious dances. In 1946 she used a Guggenheim Fellowship to photograph Haitian dance.

Opera in Israel owes its creation primarily to singer, director, producer, and impresario Edis De Philippe. De Philippe made her New York opera debut in 1935 before performing with the Paris Opera and touring Europe and South America. She then founded the Israel National Opera Company in 1947 and ran it until her death in 1979.