Dora Gad (1912-2003) was a prominent Israeli architect and interior designer. In the early decades of Israel's statehood, Gad played a key role in designing projects for the newly established national institutions in Israel. In 1966, she received the Israel Prize in architecture, the first woman to have ever received this prize.

Mary Frank was a sculptor and painter inspired by dance, photography, and the moving body. Born in London, Frank immigrated to the United States in the 1940s and danced with Martha Graham and studied art at the American Art School in New York. Frank imparts a sense of the timelessness and her work, and her sculptures have been described as sensual, sublime, poetic and profoundly moving, placing her among the foremost figurative artists of our time. 

Living a privileged existence in the wealthiest circles of German cultural society, Ida Dehmel became involved in circles of patronage of modern art that raised awareness for feminist issues, including women’s suffrage and equality for women’s artists’ associations. In 1916 she co-founded the Women’s Society for the Advancement of German Art.

Claribel Cone was well known in her time for being a dignified and highly independent woman with two passions: medical research and collecting art and artifacts. She is immortalized in drawings by French modernists Pablo Picasso and Henri Matisse and in Gertrude Stein’s essay “Two Women.”

Anita Brookner was a British Jewish novelist and accomplished art historian known for her elegaic, gloomy novels depicting the bleak and disappointed lives of women. Receiving the Booker Prize in 1984 for Hotel du Lac, Brookner achieved international fame and recognition as one of the most accomplished writers of English fiction in the later twentieth century.

Florence Meyer Blumenthal, an extraordinary philanthropist and arts patron, organized her own arts foundation in Paris, and donated millions of dollars to established institutions and public charities in America and France. Blumenthal’s foundation funded hundreds of promising artists and allowed them to focus on pursuing their craft.

Aline Bernstein was one of the first theatrical designers in New York to make sets and costumes entirely from scratch and craft moving sets. She designed sets for the Theatre Guild and various independent producers, winning numerous awards for her work, including a Tony for costume design for Regina in 1949. She later founded the Costume Museum and began writing fiction.

 While women are often excluded from the historical narrative of Israeli art-making, women artists made significant contributions to the canon of Israeli art throughout the twentieth century. Depicting landscapes, creating ceramics, and painting beautiful portraits, many female artists made significant contributions to the development of the Bezalel Art school and Israeli modern art. In 1952, the artistic Group of Ten was founded, to use a modern language in order to express the Israeli experience and landscape. 

The inclusion of feminism in Israeli art was seen as irrelevant in the 1970s, when Israel was seen as a state of gender equality. But in the following decades, amid vast changes in Israeli society, women worked hard to make themselves seen and have their stories told in the wider world of Israeli art.

Israeli women artists, second generation descendants of Holocaust survivors, have expressed in their art the grim atmosphere of absence, emptiness, and loss they absorbed. Their individual responses to the Holocaust differ in intensity and power.

Ziva Amishai-Maisels is an Israeli/American art historian whose research on modern Jewish and non-Jewish art and on the impact of the Holocaust on art are an outstanding contribution to the study of art.