Born in 1939, Rachel Ertel is a translator and an essayist. She remains one of the most prolific translators from Yiddish to French and dedicated her life to the survival of Yiddish culture in France and America.

The Greek Additions to the Hebrew Bible’s Book of Esther were probably written over several centuries and contradict several of the details from the Hebrew text. Generally, the Additions are more dramatic and ultimately portray Esther as stereotypically weak and helpless, even though parts of her weakness and femininity ultimately help save her people.

Esther, the main character in the book named after her, is a young Jewish woman who becomes queen of the Persian empire and risks her life by interceding for the Jewish people to save them from a pogrom. Set in the Persian diaspora, the Book of Esther depicts the struggle for Jews to survive in the face of hostility in a foreign land.

Queen Esther, the central character in the Biblical book named after her, is extensively and sympathetically portrayed in the Rabbinic sources. In their commentary on the Book of Esther, the Rabbis expand upon and add details to the Biblical narrative, relating to her lineage and history and to her relations with the other characters: Ahasuerus, Mordecai, and Haman.

The first woman, according to the biblical creation story in Genesis 2–3, Eve is perhaps the best-known female figure in the Hebrew Bible, although she never appears after the opening chapters of Genesis. Most of the negative traits associated with her, including sin, seduction, and subservience, are part of Jewish and Christian post-biblical interpretations and are not present in the Bible itself. A close look at the Eve narrative in its ancient Israelite context shows Eve to be a partner with Adam as they begin their agrarian life outside of Eden.

Eve’s character is posited to be that of the original and quintessential woman. The Midrash interprets her traits as representative of the negative aspects of femininity. Eve’s punishment for her sin is also tied to the traditional ideas of the fundamentals of womanhood – childbirth, pregnancy, and male spousal domination.

Reportedly the first American theater actress to earn a three-figure salary, Rose Eytinge was praised for her fiery, passionate performances.  Known for taking on physically demanding roles, on a performance tour stop in Washington, she was invited to the White House by President Abraham Lincoln. In 1905 she published her autobiography, Memories of Rose Eytinge, detailing her life in theater.