Called the "High Priestess of the Hebrew theater," Hanna Rovina was awarded the Israel Prize for Theater Arts for her contributions to the Habimah stage and her commitment to reviving the Hebrew language. Acting with the Habimah theater, she played many different parts over the course of six decades. A year before her death, Habimah named its large auditorium after her.

Jean Rosenthal was a pioneer in theater lighting design, finding new aesthetics for dance performances and theater productions. Rosenthal did the stage lighting for a number of well-known Broadway plays and musicals, such as West Side Story (1957), Becket (1960), Hello, Dolly! (1964), Hamlet (1964), Fiddler on the Roof (1964), The Odd Couple (1965), and Cabaret (1966). She is most famous for her unconventional lighting of dance and opera performances. 

Lillian Roth, a singer-actor whose career met with early success but was eventually sidetracked by alcoholism and mental illness, wrote an autobiography that became an international bestseller. At fourteen Roth landed a part in the Shubert show Artists and Models; by seventeen, she was in Ziegfield’s Midnight Follies. She moved to Hollywood for a successful film career before her life fell apart due to mental health challenges and alcoholism. 

Romania was a wellspring of the Yiddish theater, as there were Jewish theater troupes in the major Romanian cities and acting troupes traveled throughout the country performing dramas, comedies, musicals, and operettas. Women played a significant role in performing and shaping Romanian Yiddish theater and became known internationally for their work on the Yiddish stage.

Sarah Reisen was both a gifted Yiddish writer in her own right and a respected translator of great literature into Yiddish for children and adults. Recognized by contemporaries for her humane literary sensibility, she brought to Yiddish literature not only her own creative works but also her translations, which introduced readers of all ages to world literature.

One of the most famous Jews in nineteenth-century France, the actress Rachel was celebrated for her unparalleled talent and is credited with reviving classical French tragedies in the era of Romanticism. Throughout her life, she remained faithful to her family and Judaism. Rachel was unusually adept at managing her career, and she became an international star on foreign tours. 

Orna Porat was a leading actor at the Cameri Theater who also performed at the Habimah, the Beer-Sheva Municipal Theater, Beit Lessin, and the Yiddish Theater. After immigrating to Israel from Germany, Porat struggled to learn Hebrew and break into the theater world, but ultimately she was successful. She is known for serving on the Cameri’s administrative board and founding the Cameri Children’s Theater.

As a female playwright, Martha Morton faced adversity within the male-dominated New York theater world. Despite repeated rejection, she achieved fame and prosperity. Resisting expectations of women writers, Morton took a firm hand in production, often casting and directing her own work.

Elinor Morgenthau’s accomplishments were largely invisible, as she helped her husband, Henry Morgenthau, Jr., rise to great heights in Franklin Delano Roosevelt’s administration. Because of her sharp political and social skills, she often filled in for her husband, and eventually she became Eleanor Roosevelt’s assistant in the Office of Civilian Defense.

Regarded as one of the foremost designers in twentieth-century theater, Tanya Moiseiwitsch was an innovative designer of costumes, sets, and stages, responsible for over two hundred productions in England, Canada, and the United States. She made an impact in the male-dominated world of stage design.

An innovator in mixed-media forms, Meredith Monk uses music, dance, drama, and film in her theater pieces. Acting as composer, choreographer, librettist, and performer, Monk creates diverse works that have been widely exhibited and have received many awards and honors.

Bette Midler went from canning pineapples at a factory in Honolulu to starring in over 20 films, releasing two dozen records, and touring the world with record-breaking live concert performances. Midler got her start at a gay bathhouse in New York, where she developed the campy and confident persona “The Divine Miss M.” Her career in show business spans decades, old and new media, and musical genres.

Hanna Meron began her long acting career as a four-year-old child prodigy, appearing in children’s theater, radio plays, and films. In 1945 she joined the recently founded Cameri Theater. She helped shape the company by becoxming active in management and as a member of the repertory committee, while also rising to prominence as one of Israel’s greatest actors.

One of the finest actors of her day, as well as a producer and a philanthropist, Helen Menken devoted her entire life to the American theater. While she was known for playing a lesbian in The Captive, for which she was arrested during a performance, and her role as Elizabeth I in Mary of Scotland, her biggest contribution to theater was creating the 1942–1946 Stage Door Canteen through the American Theater Wing, in which Broadway stars performed for service people.

Fritzi Massary was a prominent singer in Berlin prior to the onset of World War II. She reigned over the Berlin stage, singing the title role in Franz Lehar’s The Merry Widow and Adele in Johann Strauss’s Die Fledermaus. Among the works created especially for her was the operetta Die Kaiserin by Leo Fall.

Sara Levi-Tanai was the founder, choreographer, and artistic director of the Inbal Dance Theater. With an original style, she established a unique dance theater that combined the East and West and the early history of the Nation of Israel with the present, as well as creating a new language of movement in the world of dance that is called “the Inbal language.”