Ruth Leah Bunzel began her career as anthropologist Franz Boas’s secretary, soon becoming an accomplished anthropologist herself. She broke new ground in her research the relationship of artists to their work and on alcoholism in two villages in Guatemala and Mexico.

As a widowed immigrant and young mother, Hayuta Busel fought to expand options for women in Palestine throughout her work on kibbutzim and in the women’s labor movement. Busel believed profoundly in the liberation of Jews, especially women, in the Hebrew language, and in the creation of a new model of family which would facilitate women’s liberation.

CAJE—the Coalition for the Advancement of Jewish Education—brought together a diverse spectrum of the Jewish community. After CAJE folded in 2009, it was replaced by NewCAJE, which shares ideas and innovations, offers professional development across denominational and workplace lines, and builds a strong Jewish community.

The positive aspect of the Canadian mosaic has been a strong Jewish community (and other communities) which nurtured traditional ethnic and religious values and benefited from the talent and energy of women and men restrained from participation in the broader society. The negative aspect has included considerable antisemitism and, especially for women, the sometimes stifling narrowness and conservatism of the community which inhibited creative and exceptional people from charting their own individual paths.

As director of the Hadassah School of Nursing in Jerusalem, Shulamith Cantor helped set the standard for nursing in Palestine.

Zaharirah Charifai was an influential Israeli actress who became nationally known in the role of Grusha in Brecht’s The Caucasian Chalk Circle, and from then on performed in dozens of plays at the Cameri and the Haifa Municipal Theater. In addition to stage acting, Charifai appeared in three successful solo performances, on the radio, and in several films.

Best remembered for her contribution to Jewish cultural life and for her unique ability to inspire those around her, Corinne Chochem had a distinct impact on Hebrew folk dance, both in her teaching and her two books, Palestine Dances (1941) and Jewish Holiday Dances (1948).

Jewish-Algerian-French writer Hélène Cixous published her first book in 1967 and approximately her eighty-seventh in February 2021. This “life writing” comprises poetic fiction and autobiography, literary and feminist theory, art criticism, and theatrical works. Cixous explores the myriad contradictions and consequences of loss and exile, of “being Jewish” and “being a woman.”

When Barbara Cohen died, she left behind an exceptional body of children’s literature. Cohen was adventurous, seldom repeating herself, always trying new ideas, settings and themes. In her books, she confronted taboo subjects of assimilation, racism, and cancer with both sensitivity and remarkable honesty.

It was Selma Jeanne Cohen’s mission in life to make dance scholarship a respected field, taking its place with the study of the other arts both in society and, particularly, the university. As a writer, editor, and teacher, she was a leader in transforming dance history, aesthetics, and criticism into respected disciplines. Cohen founded the Society of Dance History Scholars and received the first Dance Magazine Award ever given to a dance historian.

Incorporating biblical themes and Sephardic music into her dances, Yardena Cohen helped create a uniquely Israeli artistic culture. Cohen opened her Haifa dance studio in 1933 and maintained it for some seventy years, stressing creative dance. She continued to teach well into her nineties and in 2010 was awarded the Israel Prize for Lifetime Achievement.

Claribel Cone was well known in her time for being a dignified and highly independent woman with two passions: medical research and collecting art and artifacts. She is immortalized in drawings by French modernists Pablo Picasso and Henri Matisse and in Gertrude Stein’s essay “Two Women.”