Bridges: A Jewish Feminist Journal emerged in the overlap of late twentieth-century feminism and the Jewish and connected Jewish feminist writers, activists, and artists with each other, and with various public forums, for more than two decades. As a project made by, for, and about Jewish feminists, it became a space of creative collaboration, and a place to showcase late twentieth-century Jewish feminist cultural projection.

May Brodbeck, whose career in the sciences ran the gamut from teaching high school chemistry to exploring fundamental philosophical questions about the nature of human consciousness, was among the foremost American-born philosophers of science.

A novelist, playwright, and ritualist, Esther M. Broner emerged on the literary scene in the early 1970s as a leading feminist writer. Her novels feature bitter, fearless, and funny characters. In other works, Broner has combined autobiography with feminist critique of Jewish tradition and created new rituals, such as her 1976 “Women’s Haggadah.”

Cécile Brunschvicg was one of the grandes dames of French feminism during the first half of the twentieth century. Although her chief demand was women’s suffrage, she also focused on a range of practical reforms, including greater parity in women’s salaries, expanded educational opportunities for women, and the drive to reform the French civil code, which treated married women as if they were minors.

Journalist and lecturer Aviva Cantor is the author of the theoretical work Jewish Women, Jewish Men: The Legacy of Patriarchy in Jewish Life, a passionately analytical synthesis of feminism, Judaism, Zionism, Socialism, animal rights and environmentalism, as well as of the landmark The Egalitarian Hagada. Cantor was founding editor of the Jewish Liberation Journal. She also originated the idea and was a founder and editor of Lilith, the independent Jewish feminist magazine.

Jewish-Algerian-French writer Hélène Cixous published her first book in 1967 and approximately her eighty-seventh in February 2021. This “life writing” comprises poetic fiction and autobiography, literary and feminist theory, art criticism, and theatrical works. Cixous explores the myriad contradictions and consequences of loss and exile, of “being Jewish” and “being a woman.”