One of America’s great clowns, Fanny Brice built her career on a Yiddish accent and a flair for zany parody. Brice earned a reputation as a vaudeville star before creating some of her best-loved comedic personae for radio.

Bridges: A Jewish Feminist Journal emerged in the overlap of late twentieth-century feminism and the Jewish and connected Jewish feminist writers, activists, and artists with each other, and with various public forums, for more than two decades. As a project made by, for, and about Jewish feminists, it became a space of creative collaboration, and a place to showcase late twentieth-century Jewish feminist cultural projection.

May Brodbeck, whose career in the sciences ran the gamut from teaching high school chemistry to exploring fundamental philosophical questions about the nature of human consciousness, was among the foremost American-born philosophers of science.

Suzanne Brøgger is a Danish journalist, cultural critic, author, and essayist. With more than twenty books to her name, Brøgger has received widespread acclaim for her novels, essays, anthologies, poems, and plays.

A novelist, playwright, and ritualist, Esther M. Broner emerged on the literary scene in the early 1970s as a leading feminist writer. Her novels feature bitter, fearless, and funny characters. In other works, Broner has combined autobiography with feminist critique of Jewish tradition and created new rituals, such as her 1976 “Women’s Haggadah.”

Claire Brook was a writer, editor, and composer whose career was most distinguished by her work in publishing. After retiring from W.W. Norton, she founded Pendragon Press, a small press focused on musicological books, with her husband and brother.

Anita Brookner was a British Jewish novelist and accomplished art historian known for her elegaic, gloomy novels depicting the bleak and disappointed lives of women. Receiving the Booker Prize in 1984 for Hotel du Lac, Brookner achieved international fame and recognition as one of the most accomplished writers of English fiction in the later twentieth century.

In her fiction, Rosellen Brown confronted themes of alienation, responsibility for others, and racial tension in America. Brown is known for the passion and insight she brings to the page as a poet, essayist, and fiction writer.

Fighting the constraints of her Orthodox upbringing and expectations of her role as a wife and mother, novelist Carry van Bruggen wrote movingly of both the need for freedom and the isolation it could bring.

Hortense Calisher was a significant presence in American letters for over forty years, producing novels, short stories, and memoirs of striking originality and intelligence. Although she did not achieve popular fame, the literary community holds her in high regard and even her critics agree she is a consummate stylist.

The positive aspect of the Canadian mosaic has been a strong Jewish community (and other communities) which nurtured traditional ethnic and religious values and benefited from the talent and energy of women and men restrained from participation in the broader society. The negative aspect has included considerable antisemitism and, especially for women, the sometimes stifling narrowness and conservatism of the community which inhibited creative and exceptional people from charting their own individual paths.

Journalist and lecturer Aviva Cantor is the author of the theoretical work Jewish Women, Jewish Men: The Legacy of Patriarchy in Jewish Life, a passionately analytical synthesis of feminism, Judaism, Zionism, Socialism, animal rights and environmentalism, as well as of the landmark The Egalitarian Hagada. Cantor was founding editor of the Jewish Liberation Journal. She also originated the idea and was a founder and editor of Lilith, the independent Jewish feminist magazine.

Women were among the earliest settles in the Dutch and English Caribbean. Early Caribbean Jewish women, despite living in patriarchal societies, still managed to engage in public pursuits. As Caribbean Jewish communities became increasingly racially blended over time, women of color became some of the most definitive architects of distinctly Creole Caribbean Jewry.