As a female playwright, Martha Morton faced adversity within the male-dominated New York theater world. Despite repeated rejection, she achieved fame and prosperity. Resisting expectations of women writers, Morton took a firm hand in production, often casting and directing her own work.

Cynthia Ozick is a Jewish-American writer, novelist, essayist, and playwright. Her creative, authentic, and intelligent stories, including “The Shawl” (1989) and “The Puttermesser Papers” (1997), have made her one of the greatest fiction writers and literary critics alive.

Bertha Pappenheim was the founder of the Jewish feminist movement in Germany. In 1904, she founded the League of Jewish Women. Pappenheim believed that male-led Jewish social service societies underestimated the value of women’s work and insisted on a woman’s movement that was equal to and entirely independent of men’s organizations.

Writer, poet, critic, and screenwriter Dorothy Parker became known for her fierce wit as Vanity Fair’s drama critic in 1918 and as a founder of the “Algonquin Round Table.” She wrote multiple successful volumes of poetry and short stories and co-wrote the screenplay for the original A Star Is Born (1939). Parker was also committed to activism and numerous political causes.

Novelist and poet Marge Piercy's life and life’s work reflect her deep engagement with political activism, feminism, and Judaism. In genres including fiction, poetry, liturgy, memoir, and essays, Piercy’s work brings together spirituality, creativity, memory, sensuality, and political engagement.

Cecilia Razovsky was a remarkably active woman who spent her life striving to assist immigrants in adapting to life in the United States and other countries. Razovsky found countless ways to help Jewish refugees in particular, from writing plays and pamphlets to running committees and organizations for immigrant aid.

In revues, nightclub acts, concert halls, and on television, Joan Rivers popularized and perfected a genre of comedy that challenged reigning social conventions. After breaking into Chicago’s comedy scene in 1961 at Second City, Rivers became known for her comedic routines, books, and the talk show for which she won an Emmy for in 1990.

Writer and lawyer Nathalie Sarraute was an innovative figure in post-World War II French literature. No longer allowed to practice law during the German occupation of France, she posed as the governess of her three daughters to hide her Jewish identity. Sarraute’s many novels and plays are characterized by an “inwardness” and an unusual lack of characters, names, and plot.

Proud, independent, enterprising, and contentious, Yente Serdatsky exemplifies the enormous difficulties experienced by Yiddish women writers in achieving recognition. Serdatsky published stories, one-act plays, and dramatic sketches in various Yiddish periodicals, and focussed on the narratives of immigrant women like herself.

Yiddish writer Esther Shumiatcher-Hirschbein was born in Belarus in 1899 and emigrated to Calgary, Canada, with her family in 1911. Her poetry devoted to her pregnancy and childbirth were considered groundbreaking, along with other themes in her work, including grief, marriage, sexuality, and widowhood.

Award-winning director and screenwriter Joan Micklin Silver, born in 1935 in Omaha, Nebraska, wrote and directed the 1975 barrier-breaking independent film Hester Street, which sparked an interest in the lives of immigrant Jews. She also directed Crossing Delancey (1988), five other feature films, and several films for television.

Bella Spewack, in collaboration with her husband Sam, is known for writing some of the most memorable works of musical theater history, including Leave It to Me (1938) and Kiss Me Kate (1948). The Spewacks also wrote screenplays for several 1940s Hollywood hits, such as Weekend at the Waldorf. The couple contributed to many Jewish organizations and founded the Spewack Sports Club for the Handicapped in Ramat Gan, Israel.

Jewish women have had a long-standing, complex, often fraught relation to American television. They have had to battle a male-dominated production system and sexist stereotypes, but also have seen significant advances, in front of and behind the screen, resulting from the cable and streaming revolutions and third-wave feminist activism.  

For over a hundred years, Jewish women have been involved in the American theater as writers, actors, directors, designers and producers. The vitality of the Yiddish theater, the splendor of Broadway, the rich tapestry of the regional theater, and everything in between, all owe a debt to the Jewish women who have given of their talents, their energy, their drive, and their dreams.