Born to a musical family, Lillian Fuchs was a talented pianist, violinist, violist, and composer who toured the United States and Europe. Fuchs was the inspiration for some of the greatest composers of the twentieth century and was a popular teacher at the Manhattan School of Music, Juilliard, and Mannes College of Music.

Alma Gluck began her career as an opera singer, but it was her love of American folk songs that made her a best-selling musical artist. She debuted at the Metropolitan Opera in 1909. By 1911, she had transitioned from opera to vocal recitals, and by 1914 she was the most popular concert singer in America. Gluck helped found the American Guild of Musical Artists.

Dorothy Lerner Gordon—musician, broadcaster, author—dedicated her talents to the entertainment and education of children and young people. Throughout her career, she created radio programming to give children access to literature, music, and current events.

In a life that spanned the greater part of the twentieth century, Ida Haendel was one of the most enduring idols of the concert platform, an inspiration to both performers and music-lovers through her many recordings as well as her live performances and broadcasts. A musical prodigy who began performing at age four, Haendel continued her passionate violin performances into her late eighties.

Pianist Clara Haskil was one of the greatest performers of her time. As an early prodigy, Haskil began studying music at age six and grew to have an international career, performing throughout the world and appearing at the most prestigious music festivals, in spite of chronic health challenges. 

Born in Tel Aviv, Ofra Haza was an international singing sensation who performed across Europe, America, and Israel. Known for combining traditional Yemenite music with electronic pop sounds, Haza performed in the film Shlagger and in 1983 she placed second in the Eurovision competition. In 1998 Haza collaborated with many world-renowned artists and performed Naomi Shemer’s “Jerusalem of Gold” at the official ceremony marking Israel’s fiftieth anniversary.

Hebrew song as a whole, including songs of Erez Israel and the State of Israel, is a unique socio-cultural phenomenon that has developed over time. The dawning of Hebrew song can be traced to the period between 1880 and 1903, and it has grown to reflect the diverse aspects of Israeli society since then. The contribution of women to Hebrew songs, in general, has risen steadily over the years. 

Nechama Hendel is considered one of the foremost singers Israel has ever produced, known for her performances of Jewish folk music, her adaptations of well-known Israeli songs, and her album dedicated entirely to lyrics by the national poet Hayyim Nahman Bialik set to folk tunes and composed melodies. Hendel had an international following and toured the world performing, but she consistently returned to live in Israel and was devoted to Jewish music. 

One of Great Britain’s most famous classical pianists, Dame Myra Hess had the idea of setting up lunchtime concerts at London’s National Gallery during the Second World War. The success of those concerts made Hess an international star, and the honor of Dame of the British Empire was conferred upon her in 1941.

Nurit Hirsch is one of the most prolific and varied writers of contemporary Israeli songs. Hirsch was the first Israeli composer to participate in the Eurovision Song Contest, winning fourth place in 1973. She composed the music for fourteen films, wrote numerous children’s songs, and won third place at the first festival of Hassidic music. Today Hirsch's repertoire contains around 1,600 songs.

Singer and actress Libby Holman was known as much for her scandalous personal life and revolutionary activism as for her lush voice. She grew famous performing in Broadway shows and revues throughout the 1920s. Holman was openly bisexual and was accused of murdering her husband, Zachary Smith Reynolds, in 1932. She was actively involved in protesting racial segregation.

Dance has been an integral element of the Jewish community since biblical times. An intense desire to share the joy of dance, coupled with a strong identification with both Israel and their Jewish roots, spurred a group of influential women to create a flourishing movement of Israeli folk dance in North America. Today, Israeli folk dance enjoys a wider popularity than ever.

Having escaped the Holocaust on the strength of her musical talents, Tziporah H. Jochsberger went on to use music to instill Jewish pride in her students. In the 1950s, she began teaching and studying music in New York. In addition to her teaching and administrative roles, Jochsberger found time for an active career as a composer.

Composer and visual artist Hagar Kadima was the first Israeli woman composer to earn a PhD in composition. She was also the founder and first chair of the Israeli Women Composers Forum.