A leader of the New Dance Group, Sophie Maslow was among the generation of dancers involved in the labor movement of the 1930s. Maslow saw her work as inspired by a personal heritage rather than by political ideology; she believed that dance “could enrich the lives of workers in and of itself.”

Fritzi Massary was a prominent singer in Berlin prior to the onset of World War II. She reigned over the Berlin stage, singing the title role in Franz Lehar’s The Merry Widow and Adele in Johann Strauss’s Die Fledermaus. Among the works created especially for her was the operetta Die Kaiserin by Leo Fall.

One of the finest actors of her day, as well as a producer and a philanthropist, Helen Menken devoted her entire life to the American theater. While she was known for playing a lesbian in The Captive, for which she was arrested during a performance, and her role as Elizabeth I in Mary of Scotland, her biggest contribution to theater was creating the 1942–1946 Stage Door Canteen through the American Theater Wing, in which Broadway stars performed for service people.

Hephzibah Menuhin was a talented pianist and a dedicated human rights activist. After a successful international career performing with her brother Yehudi, Menuhin worked with her husband to assist the poor, the homeless, and the recently ill and served as president of the Women’s International League for Peace and Freedom.

Hanna Meron began her long acting career as a four-year-old child prodigy, appearing in children’s theater, radio plays, and films. In 1945 she joined the recently founded Cameri Theater. She helped shape the company by becoxming active in management and as a member of the repertory committee, while also rising to prominence as one of Israel’s greatest actors.

Sulamif Messerer was an influential ballerina who taught a generation of dancers globally. After swimming in the 1928 Soviet Olympiada, she became a prima ballerina in the Bolshoi Ballet Company. She had a long dance career and then became a renowned teacher in Russia, Japan, New York, and London.

Bette Midler went from canning pineapples at a factory in Honolulu to starring in over 20 films, releasing two dozen records, and touring the world with record-breaking live concert performances. Midler got her start at a gay bathhouse in New York, where she developed the campy and confident persona “The Divine Miss M.” Her career in show business spans decades, old and new media, and musical genres.

Regarded as one of the foremost designers in twentieth-century theater, Tanya Moiseiwitsch was an innovative designer of costumes, sets, and stages, responsible for over two hundred productions in England, Canada, and the United States. She made an impact in the male-dominated world of stage design.

An innovator in mixed-media forms, Meredith Monk uses music, dance, drama, and film in her theater pieces. Acting as composer, choreographer, librettist, and performer, Monk creates diverse works that have been widely exhibited and have received many awards and honors.

Elinor Morgenthau’s accomplishments were largely invisible, as she helped her husband, Henry Morgenthau, Jr., rise to great heights in Franklin Delano Roosevelt’s administration. Because of her sharp political and social skills, she often filled in for her husband, and eventually she became Eleanor Roosevelt’s assistant in the Office of Civilian Defense.

Erica Morini made her violin debut at age five, playing for Emperor Franz Joseph’s birthday party. She debuted at Carnegie Hall in 1921 and spent the next several decades touring the world, often adding concerts to her overbooked schedule to accommodate her many fans. Morini retired in 1976, the same year the city of New York honored her with a lifetime achievement award.

As a female playwright, Martha Morton faced adversity within the male-dominated New York theater world. Despite repeated rejection, she achieved fame and prosperity. Resisting expectations of women writers, Morton took a firm hand in production, often casting and directing her own work.

Music in Israel is a giant mosaic of cultures, styles, and musical traditions from the region and around the world. In every way and at all times, especially since the establishment of the state, women have been active in and have left their mark on the country’s musical life.

An award-winning anthropologist and feminist scholar, Barbara Myerhoff emphasized the importance of storytelling and studying one’s own community. Myerhoff’s work pioneered the study of elderly Jews and highlighted the role of women in religion, which had been previously neglected by the scholarly world.