Women’s vocal leadership in synagogue music began with zogerin (women prayer leaders) in the women’s gallery. In the nineteenth century, women began participating in mixed choral and community singing, and some opera singers acted as cantors in important Reform congregations. In the 1970s and 1980s, the Reform and Conservative movements began formally investing women as cantors, and today a plurality of cantors in liberal movements are women.

Women have played a pivotal role in propelling the Conservative Movement to confront essential issues including Jewish education and gender equality. The Movement’s attention to issues such as the religious education of Jewish girls, the status of the agunah (deserted wife), equal participation of women in ritual, the ordination of women, and innovations in liturgy and ritual to speak to women’s experiences has helped to shape the self-definition of Conservative Judaism, and has enabled talented Jewish women to reach new heights in religious leadership.

Challenging all varieties of American Judaism, feminism has been a powerful force for popular Jewish religious revival. The accomplishments of Jewish feminists have transformed American Jewish life, even as the ultimate goal of gender equity and shared power has yet to be fully realized.

Betty Robbins is often heralded as the first female cantor – in fact, that honor goes to Julie Rosewald. However, Robbins was the first woman to be officially designated as cantor. The Board of Trustees at Temple Avodah in Oceanside, New York unanimously appointed Robbins as their cantor in 1955.