Wilma Shore was a writer and teacher most active between the 1940s and the 1960s. She lived at various times in Los Angeles and New York City, settling finally in New York City. Involved with left-wing political activity, she and her husband were blacklisted during the House Committee on Un-American Activities hearings.

Fradel Shtok’s Yiddish poetry and prose is distinctive for its treatment of the inner sensual lives of Jewish women. Although she showed great promise as writer, she was discouraged by the unenthusiastic reception of her work by leading critics and withdrew from the literary scene after publishing only one collection of short fiction in 1919. A number of Shtok’s poems appeared in American Yiddish literary journals and anthologies, but no collection of her poetry ever appeared.

Esfir Shub was active as an editor, director, and writer of nonfiction films for twenty years, from 1927 to 1947—one of the few women in the Soviet Union at that time to achieve some standing in the film industry. Shub found success as a woman in the film industry by pioneering the form of compilation documentary and by producing technically competent work that satisfied the political needs of the communist moment.

Yiddish writer Esther Shumiatcher-Hirschbein was born in Belarus in 1899 and emigrated to Calgary, Canada, with her family in 1911. Her poetry devoted to her pregnancy and childbirth were considered groundbreaking, along with other themes in her work, including grief, marriage, sexuality, and widowhood.

Judith Shuval is one of the main scholars in the field of the sociology of health in Israel. Her research on migration and health, inequality in health, self-care in health, the doctor-patient relationship, and the processes of professional socialization has been based in concrete life in Israel and has broader implications for such topics cross-culturally.

Feisty and opinionated, Sylvia Sidney was quite the opposite of the waiflike victim of social oppression she played in Hollywood’s Depression Era films. While she disliked playing the victim, her vulnerability and working-class persona resonated with audiences. She earned an Oscar nomination for her performance in Summer Wishes, Winter Dreams, took on a comic role as the caseworker in Beetlejuice, and played a sympathetic grandmother in one of the first TV movies about AIDS, An Early Frost.

Rebecca Sieff, the daughter of a wealthy Jewish family from Manchester, England, played an active role in two central social-historical movements: the struggle for women’s rights and the Zionist movement that eventually led to the establishment of the State of Israel.

Ida Lewis Siegel was a volunteer leader in Toronto dedicated to Zionism and education. Siegel’s organizing talents over the decades benefited many Jewish community institutions, including the Youth Aliyah. She was also involved in the wider Toronto community, serving as a trustee of the Toronto Board of Education.

Beverly Sills was a trailblazing opera singer who, after a robust singing career at the New York City Opera Company (NYCO) and the Metropolitan Opera House, became the first female director of the NYCO, and the first female chair of the Lincoln Center board. Sills defied the odds in her career accomplishments while raising two children with disabilities and being actively involved with several charitable organizations.