As a feminist, a Jew, and a sometimes-writer, I should have had Letty Cottin Pogrebin on my top 10 list of awesome people I’d love to have dinner with someday. I can’t believe that I didn’t know about this incredible writer-activist until this summer, when I began working at the New Center for Arts and Culture. As soon as I heard that Letty co-founded Ms. magazine, her New Center program quickly became my most highly anticipated of our fall season. And I realized that I needed to know more about her than what my quick online search produced.

While I knew her New Center discussion with Robin Young would focus on her latest book, How to Be a Friend to a Friend Who’s Sick, I decided to start with her seminal work, Deborah, Golda, and Me: Being Female and Jewish in America. Published in the early 1990s, I couldn’t help but read her book with a bit of curiosity: how far (or not) have things come for us as women and Jews in America, over 20 years later? And, how can we further adopt Letty’s ideas and practices? For too long, I’ve been frustrated that many in my generation see feminism as a dirty word, and that we don’t recognize the struggles of women before us that have allowed us advantages we take for granted. Reading about Letty’s life and work has been a catalyst for how I think about my own feminism and Jewish identity.

 “When women talk about their accomplishments, it’s a signal to others to stop liking them,” said Rachel Sklar. “For men, success correlates with positive feelings. Women want to be well liked, they don’t want to rock the boat. We have to support our troublemakers.”

Accepting an award from the Jewish Women’s Archive earlier this year, Letty Cottin Pogrebin, a longtime activist, pointed to the Statue of Liberty, just visible in the foggy distance, and quipped, “I love her, even though she’s not Jewish.” Over murmurs of laughter, she spoke of her love for Lady Liberty’s “grace and beauty,” and defined what the monument represents to her: “welcome, freedom, hope.” The same could be said of Pogrebin herself.

Last week Kathleen Peratis shared her disappointment with the widely acclaimed The New American Haggadah by Jonathan Safran Foer and Nathan Englander:

Sunday morning, as readers of the New York Times were mulling over a long and thoughtful article about Gloria Steinem's legacy, Steinem herself was with friends and fellow supporters of the Jewish Women's Archive to honor three remarkable Jewish women—Letty Cottin Pogrebin, Elizabeth A. Sackler, and Rebecca Traister — at JWA's second annual Making Trouble/Making History luncheon.

“[Debbie Friedman] emphasized the value of every voice and the power of song to help us express ourselves and become our best selves. As she wrote for JWA's online exhibit Jewish Women and the Feminist Revolution: 'The more our voices are heard in song, the more we become our lyrics, our prayers, and our convictions.' The woman who wrote the song that asks God to 'help us find the courage to make our lives a blessing' herself modeled for us what that looks like.”—Judith Rosenbaum.
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Today I'm celebrating the 35^th birthday of one of my favorite childhood albums, "Free to Be You and Me." I've always loved this collection of songs and stories that envision a non-sexist world. As a young adult, I was proud to learn that Jewish feminist Letty Cottin Pogrebin was the editorial consultant for the album, book, and tv special (and the author of "Stories for Free Children" which I also loved). Lately I've had the happy opportunity to appreciate "Free to Be You and Me" a second time around, now as a mom. It's fun to hear the voices of Marlo Thomas, Diana Ross, Harry Belafonte, Alan Alda, and Mel Brooks - it's like visiting with old friends.