Joyce Kozloff is an internationally recognized painter, public muralist, and feminist whose long-term passions have been history, culture, and the decorative and popular arts. One of the founders of the pattern and decoration movement, Kozloff is dedicated to creating her own work and giving the folk art of women of color a voice. Kozloff is known as one of America’s more original and engaging artists.

The child of Russian-Jewish immigrants, Lee Krasner was a staunch supporter of the integrity of modern art and one of the only painters in New York to work in abstract style before World War II. Despite putting her career on hold for years to aid her famous husband, Jackson Pollack, Lee Krasner achieved recognition in her own right as a gifted abstract painter.

Vigorous, rapid, and exciting use of the palette knife is not usually associated with women painters in any era, but Doris Barsky Kreindler’s abstract expressionist works in the 1950s, 1960s, and early 1970s, inspired by Hans Hofmann, were exceptional

Dorothea Litzinger was a talented painter, known for her paintings of flowers and landscapes. Although she died at the young age of 35, she was actively involved in her local community and a successful artist, who had many gallery exhibitions. 

Regina Mundlak was a skilled artist who exhibited her works in Warsaw at the Society for Promotion of Fine Arts and at the Aleksander Krywult Salon, and the Cassirer Salon in Berlin. She was interested in depicting Jewish life in the Diaspora, first through sketched portraits and later with oil paint. In 1942 she was probably deported from the Warsaw Ghetto to the Treblinka extermination camp.

Mela Muter was the first professional Jewish woman painter in Poland. She immigrated to Paris in 1901, and her portraits, landscapes, and still lifes reveal the influence of major artistic currents of the turn of the century: synthetism of École de Pont-Aven, van Gogh’s expressionism, French fauvism, and cubism. Her works have been shown in exhibits throughout France and New York.

Louise Nevelson belongs to a generation of Manhattan-based painters and sculptors whose careers coincided with the development of modernism in America. Nevelson created sculptures that audiences could both experience and see. Several of her pieces are now owned by the Whitney, the Brooklyn Museum, and MOMA.

Lea Nikel, one of the central pillars of Israeli painting, had more than fifty years of magnificent creativity to her credit. She belonged to no art group or movement and over the years did not change her distinctive style, even when new styles became fashionable. Her works were exhibited throughout Israel from the early 1950s into the 2000s.

Painting and sculptor Antonietta Raphaël rose to fame in the 1950s. Her paintings were seen for the first time in Rome in 1929; during World War II, she took up sculpting, and in the 1950s, she rose to prominence and exhibited her works worldwide.

Miriam Schapiro helped pioneer the feminist art movement, both through her own pushing of creative boundaries and by creating opportunities for other women artists. Starting in 1970, Schapiro raised women’s consciousness through her writing, painting, printmaking, teaching and sculpture. She lectured extensively on feminist issues to professional conferences, university audiences, art classes and women’s groups.