Erica Morini made her violin debut at age five, playing for Emperor Franz Joseph’s birthday party. She debuted at Carnegie Hall in 1921 and spent the next several decades touring the world, often adding concerts to her overbooked schedule to accommodate her many fans. Morini retired in 1976, the same year the city of New York honored her with a lifetime achievement award.

Music in Israel is a giant mosaic of cultures, styles, and musical traditions from the region and around the world. In every way and at all times, especially since the establishment of the state, women have been active in and have left their mark on the country’s musical life.

Shuly Nathan’s clear and melodious voice represents some of the best qualities of true folk singing. After a meteoric rise to fame following her performance of Naomi Shemer’s “Jerusalem of Gold,” Nathan has toured worldwide, performed on Israeli television and radio, recorded albums, and partnered with Nechama Hendel. Her beloved varied repertoire consists of carefully selected outstanding songs, both old and new.

The Palmah was the elite fighting brigades of the underground paramilitary force Haganah, active between 1941 and Israel’s founding in 1948. Women were active in the Palmah, but were they considered equal to men?

Singer Roberta Peters led a career spanning more than half a century as one of the Metropolitan Opera’s most popular sopranos. A frequent performer on the radio, television, and stages around the world, Peters was also involved with many public health and Jewish organizations throughout her life.

A lively comic actress, Molly Picon brought Yiddish theater to a wider American audience. She acted in the first Yiddish play ever performed on Broadway and insisted on performing in Yiddish on a 1932 tour of Palestine. Filming on location in Poland, on the eve of World War II, Picon captured a view of shtetl life soon to be erased by the Holocaust.

Following decades of intensive work in management of Israeli music institutions, Daniella Rabinovich became a leading figure in the field in Tel Aviv in the 1980s and 1990s, serving as director of the Tel Aviv Conservatory.

Painting and sculptor Antonietta Raphaël rose to fame in the 1950s. Her paintings were seen for the first time in Rome in 1929; during World War II, she took up sculpting, and in the 1950s, she rose to prominence and exhibited her works worldwide.

Whether recording a Brahms sonata with clarinetist Benny Goodman, enjoying her three grandsons, or giving a master class in Jerusalem, pianist Nadia Reisenberg’s joy in relationships radiated from her. Reisenberg used her talents to connect with others, from her acclaimed performances with her sister to her years of training musicians in New York and Jerusalem.

Regina Resnik, world-famous opera singer and leading lady at New York’s Metropolitan Opera House, reinvented herself multiple times in her career, taking on unexpected new roles. She toured through the United States and internationally before her first performance at the Met in 1944 and becoming the Met’s leading soprano.  In the 1970s she successfully began directing operas.

Betty Robbins is often heralded as the first female cantor – in fact, that honor goes to Julie Rosewald. However, Robbins was the first woman to be officially designated as cantor. The Board of Trustees at Temple Avodah in Oceanside, New York unanimously appointed Robbins as their cantor in 1955.

Renowned classical pianist Pnina Salzman was the first Israeli pianist to conquer concert stages in Europe and Asia in the early 1940s, before the establishment of the State of Israel. She also enriched the local music scene with her premieres of Israeli composers, who wrote for her knowing that their work would receive superb interpretation. She won the Israel Prize for her musical achievements.