Fradel Shtok’s Yiddish poetry and prose is distinctive for its treatment of the inner sensual lives of Jewish women. Although she showed great promise as writer, she was discouraged by the unenthusiastic reception of her work by leading critics and withdrew from the literary scene after publishing only one collection of short fiction in 1919. A number of Shtok’s poems appeared in American Yiddish literary journals and anthologies, but no collection of her poetry ever appeared.

Miriam Karpilove was a pioneer among women writers of Yiddish fiction. She produced scores of works of short fiction and many novels about the roles of women in immigrant Jewish culture, most of which were serialized in the American Yiddish press during the first half of the twentieth century.